Posts Tagged ‘Father Figure’

Rick Castle - Trickster or Shapeshifter?

Tuesday, February 23rd, 2010

When we encounter a comedic character in stories, we often quickly categorize them as belonging to the Trickster archetype.  After all, most sidekicks are Tricksters, providing the comic relief, often serving to deflate the ego of the main character (think Star Trek and Dr. McCoy: “I’m a doctor, Jim, not an engineer!” or “… a bricklayer!”).  The clash between the Trickster and the main character frequently provides the comedy we see in stories.

When we look at the character Rick Castle, of ABC’s series Castle, are we looking at a Trickster character?  His sense of humor does work a bit in needling Detective Kate Beckett.  But I don’t think that is what is happening in the series.  Especially when Beckett needles and punctures Castle in return.

So, if Castle isn’t a Trickster, what is he?  I contend that he is a Shapeshifter.  We don’t see this archetype quite as often in stories, especially as an on-going character.  Let’s review some of the characteristics of the Shapeshifter.  The most important aspect is that the Shapeshifter is a keeper of special information.  The “trick” is to get the information out of the Shapeshifter, because the Shapeshifter often doesn’t want to reveal all that special knowledge.  The options for the character seeking the information are to either hold onto the Shifter as he or she goes through changes to hide the information, or to keep pace, changing with the Shifter.

Castle puts on many different shapes in the series.  And he’s not pretending in any of the shapes — he really does become them.

Most obvious to start with is Castle’s shape as a best-selling author.  He’s not pretending in this shape: he works for it and has a string of titles that justify the attention he gets in this shape.  He uses it frequently to evade intrusion into his personal life (including warning his daughter against visiting the “fan websites”).  This shape gives him entre to many special areas of life.

One of those “special areas” is that of “High Society.”  In that arena, Castle turns into the “wealthy, elegible bachelor” who mixes with the upper crust of New York social life.  Again, his presence there is not a pretense.  He knows the functions (such as the quarterly fund-raising benefits for a city dance company) and is considered a legitimate member of those circles.  In this shape, Castle can give Beckett access to information she might not get in her own guise of “detective.”  And note: she has to change shape with him to access that knowledge.

He does, of course, put on some guises for the mere fun of it.  But the fun and playfulness are actually necessary features for a well-balanced psyche.  He dresses up for Halloween, he plays fencing games with his daughter, he makes silly bets with the detectives.  Is he hiding a truth in this guise?  Perhaps.  Not one for himself, but rather one that Beckett needs.  She needs the playfulness he brings to counter the real emotional weight of the work she does investigating murders.

One of the realities of life that Castle deals with in the series is the fact that he is the single parent of a teen-aged girl.  He makes comedy out of it by putting on the exaggerated aspect of the “Prom Dad” (where the father of the girl frightens the date into behaving himself).  But even though Rick exaggerates it, it is also the reality.  He is not a neglectful parent.

Indeed, his shape as “Parent” is one of Castle’s truest forms, revealing the truth about his personality underneath all his playfulness, evasions and flippancy.  He is genuinely concerned about how Alexis proceeds in life.  And likewise, he does not conceal much from her — except perhaps the depth of his feelings for Beckett.  She, however, is a wise child, practiced in learning the secrets of a Shapeshifter and she already has an awareness of the connection between the adults.

But along with being a father, one of Castle’s most essential shapes is that of a researcher.  He has been shown doing careful research for his books.  He knows how to ask telling questions and he knows where to find sources.  When Beckett’s cases take them into strange territories, Castle’s research abilities (either past or present) give the pair special knowledge they need to solve the current mystery.

Castle and Beckett work as a team, and that, as much as the multiple guises Castle has, is another thing that shows Castle is a Shapeshifter and not a Trickster.  Remember, a Trickster’s job is to deflate the over-blown aspects of other characters.  But Castle never does that to Beckett.  He supports her in her pursuits.  He might be slightly more accommodating to her than Shapeshifters usually are — and yet, he does not (or at least has not yet) reveal to her all his hidden truth.  And that’s part of the fun of the series.

So … my call on Rick Castle is that he is not Trickster, he’s a Shapeshifter.  Hold on tightly and you will learn the truth.

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All pictures are copyright ABC Studios.

A Functional Father Figure

Wednesday, December 23rd, 2009

When I was doing the research and development of The Scribbler’s Guide to the Land of Myth, one thing I discovered was that there is not much literature on parental figures.  Joseph Campbell makes glancing references to Father Figures and Mother Figures, particularly in their negative manifestations, but little else.  So I tackled the problem of developming a systematic structure for just what these figures ought to be, so that I (and of course, other storytellers) would be able to analyse the dynamics when I put one of these figures into a story.

The first thing I realized is that although mentor figures are also representatives of parental figures, they are not completely so.  Thus, while a Mentor may be a Father Figure, a Father Figure is not necessarily, or not only, a Mentor.  So what else is going on?

What it boils down to (if you want a fuller explanation, get the book!) is that a Father Figure has five functions: Protector, Mentor, Priest, Judge, Ruler.  Any particular story relationship might focus more on one function than another, but they all contribute to the over-all picture.

Which brings me to one of the best examples of a Father Figure currently running in popular culture: Leroy Jethro Gibbs on the show NCIS.

Now, because of the bantering and teasing play of Gibbs’ support team, some have called the regular characters a dysfunctional family.  This is a mistake: this group is highly functional.  The sibling-like squabbling and pranking should not be mistaken as dysfunction.  Each team member understands his or her place in the group and delivers on the responsibilities.  Trust runs strong among them and there is very little abuse of position — all signs of effective functionality.  Perhaps we are so used to seeing the failure of functionality that it has become the “standard” and true functionality seems “dysfunctional.”

In any case, the successful functionality springs from the effectiveness of Gibbs as a Father Figure.  So let’s consider it at work.

As a Mentor, Gibbs uses his “strong, silent” manners to demonstrate to Timothy McGee and Ziva David how to be an excellent investigator.  These two, for different reasons, have needed the instruction a Mentor can provide.  And they have learned successfully from Gibbs.

McGee, when sent into a women’s prison to question a possible suspect on a cold case, finds himself the on-scene investigator of a killing.  Because he has learned from Gibbs how to read the evidence and how to read people, he is able to sort it out.

For Ziva, trained in espionage and assassination, learning to investigate and interview has run counter to her impulses.  But because Gibbs by every indication shows her that he believes her capable of the new methods and expects her to act on them, she learns.

The Priestly function of a Father Figure is the aspect that acknowledges the achievement and mastery of “the child.”  And Gibbs always delivers that affirmation when it is really needed.  He has given McGee affirmation that he has become a good investigator at a time and in a way that makes public Timothy’s growth, by saying it in front of Tony DiNozzo, who relentlessly exercises the “superior” priviledges of an older brother to Tim.

But Gibbs has also done the same for Tony: during a case in which Gibbs had given Tony the lead, Tony becomes so frustrated that he begins verbally abusing the team.  Gibbs takes Tony aside and tells him he had been doing a good job … up to that point.  The fact that this is a “priestly” action is shown by the fact that Gibbs addresses DiNozzo as “Anthony,” something he almost never does.  Tony is both chastened and encouraged by this.

As the boss of the team, Gibbs is in fact the Ruler of them all.  But one of the duties of the Ruler is to command the discipline of his subjects, and this is the need Gibbs fills for DiNozzo and Agent Kate Todd.  Although Tony is actually a good investigator, his own impulses are to flake off, chasing pretty women or playing games.  Gibbs enforces discipline and so gets excellent work out of Tony.

Kate, though she came to NCIS from the Secret Service, also had some need of the discipline Gibbs requires.  In the pilot, she is shown as having become romantically involved with a co-worker on the Presidential detail, something that would never have happened if she’d been under Gibbs’ rulership.

As a Protector, we see Gibbs protecting both Abby and Ziva.  When Ziva was framed for the assassination of someone under FBI protection, it is to Gibbs (and not her own father) that she turns to, to get her out of it.  And he does. 

When Abby is stalked by an ex-boyfriend, Gibbs becomes very fierce in resolving the matter.   (As all the team acknowledges, Abby “is his favorite.”)

To all of the team, he is their Judge: he evaluates their work, and they turn to him for his opinion on everything other than romantic attachments (his three ex-wives serving as a warning to them that he is not perfect, especially in that).

So far, the points I’ve made have been about what Gibbs gives to his team, what needs he addresses for each of them.  But what does he get out of it?  What makes it possible for him to continue playing Father Figure to this unlikely “family”?  He gets their nearly undivided devotion.  Abby in particular bestows on him the love of a daughter, which addresses the biggest hole in Gibbs’ own life, since his first wife and only child were killed long ago.  He is not the Father Figure to this group just because they need him.  He is such also because he needs them.

As I said, this team is a highly functional family unit.  If they were dysfunctional, the incidental pains of failure and abuse would be considerably less appealing to the audience.  It is the functionality that propells the show into success and audience affection.